B
BrittanyGulden
Guest
A few of you know that I am in the process of building a DIY night vision device. There a lot of factors that come in to play upon choosing a designated cam for my application as the differences in sensativiy to NIR vary camera to camera. One big factor is "low lux" & after researching, it seems like there is only 1 cam that is "notorious" for having such a low lux which is a Sony (NightShot.)
Switching to 'Nightshot mode' physically displaces the camcorder's internal glass filter called "IR Cut Filter (ICF)", which means that much more NIR light reaches the CCD. In-between the optical lens and the CCD, most camcorders have this special "ICF". It is there to compensate the colorings and the tones of the information reaching the CCD by blocking the NIR and ultraviolet rays. Since the CCD is originally more sensitive to NIR rather than the visible rays, it would be impossible to create a natural image on the viewfinder or LCD screen for the human eye without this ICF. However, this ICF, which blocks off the NIR, is the biggest obstacle in seeing-through and night viewing.
How Does Sony NightShot actually work?: (see below)
-The Internal Microswitch Method
This method involves opening your camcorder. If you open the camcorder you will see a small lever mounted on the lens that moves the ICF away from the CCD (when Nightshot is switched on). This lever also presses a Microswitch (attached to a flexible board) when Nightshot is engaged.
When this Microswitch is pressed 3 things happen. Firstly, the iris in the lens is forced open (this results in the "white-out" if there is too much light present) and second it sets the green tint added to the picture to give that "Night Scope" appearance. The 3rd thing the Microswitch does is to turn on the IR emitter on the front of the camcorder.
This small Microswitch is held in place with a small screw. By loosening the screw the Microswitch can be adjusted away from the Nightshot lever so that it is never pushed when Nightshot is engaged. Thus, the camcorder can have full control of exposure even in Nightshot mode like the Old Models. The images tend to take on a red tint (rather than a green tint). Although very effective, this method renders all other Nightshot functions inoperative - such as the Nightshot LEDs on the front of the camcorder and the HotShoe functionality
As stated in paragraph 2, most camcorders are equipped w/ ICF's. Does this also apply w/ stand still cameras? I am under the impression that I am not "limited" to just a Sony NightShot as long as I can find a cam W/ a removable ICF.
As stated in paragraph 4, when the mircroswitch on the Sony NightShot is pressed 3 times, a green tint will be added to the picture (lcd screen) to give that "night vision look." -Is this actually practical? I assume so as "green" is the most sensative color to human vision. However, does it make a difference that it is being applied "after" on an LCD Screen? I mean, this "feature" almost seems like nothign more than cosmetic.
If anyone has an alternative to the "Sony NightShot" to serve as a "view source" that would be awesome. -I'd rather go through all the work rather than just to buy a device. I mean, that takes all the fun out of DIY & learning.
-Thanks
btw, Sony also has a circuit to amplify NIR. -sounds similar to an IIT. If anyone knows any more additional info on this, that'd be kick butt. I am assuming Sony uses a CMOS vs a CCD? -I do not know how Sony would "amplify" W/out either an IIT or a CMOS
Switching to 'Nightshot mode' physically displaces the camcorder's internal glass filter called "IR Cut Filter (ICF)", which means that much more NIR light reaches the CCD. In-between the optical lens and the CCD, most camcorders have this special "ICF". It is there to compensate the colorings and the tones of the information reaching the CCD by blocking the NIR and ultraviolet rays. Since the CCD is originally more sensitive to NIR rather than the visible rays, it would be impossible to create a natural image on the viewfinder or LCD screen for the human eye without this ICF. However, this ICF, which blocks off the NIR, is the biggest obstacle in seeing-through and night viewing.
How Does Sony NightShot actually work?: (see below)
-The Internal Microswitch Method
This method involves opening your camcorder. If you open the camcorder you will see a small lever mounted on the lens that moves the ICF away from the CCD (when Nightshot is switched on). This lever also presses a Microswitch (attached to a flexible board) when Nightshot is engaged.
When this Microswitch is pressed 3 things happen. Firstly, the iris in the lens is forced open (this results in the "white-out" if there is too much light present) and second it sets the green tint added to the picture to give that "Night Scope" appearance. The 3rd thing the Microswitch does is to turn on the IR emitter on the front of the camcorder.
This small Microswitch is held in place with a small screw. By loosening the screw the Microswitch can be adjusted away from the Nightshot lever so that it is never pushed when Nightshot is engaged. Thus, the camcorder can have full control of exposure even in Nightshot mode like the Old Models. The images tend to take on a red tint (rather than a green tint). Although very effective, this method renders all other Nightshot functions inoperative - such as the Nightshot LEDs on the front of the camcorder and the HotShoe functionality
As stated in paragraph 2, most camcorders are equipped w/ ICF's. Does this also apply w/ stand still cameras? I am under the impression that I am not "limited" to just a Sony NightShot as long as I can find a cam W/ a removable ICF.
As stated in paragraph 4, when the mircroswitch on the Sony NightShot is pressed 3 times, a green tint will be added to the picture (lcd screen) to give that "night vision look." -Is this actually practical? I assume so as "green" is the most sensative color to human vision. However, does it make a difference that it is being applied "after" on an LCD Screen? I mean, this "feature" almost seems like nothign more than cosmetic.
If anyone has an alternative to the "Sony NightShot" to serve as a "view source" that would be awesome. -I'd rather go through all the work rather than just to buy a device. I mean, that takes all the fun out of DIY & learning.
-Thanks
btw, Sony also has a circuit to amplify NIR. -sounds similar to an IIT. If anyone knows any more additional info on this, that'd be kick butt. I am assuming Sony uses a CMOS vs a CCD? -I do not know how Sony would "amplify" W/out either an IIT or a CMOS
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